Date:June 15 – October 17, 1898
Place: Prague, Exhibition Grounds
Organizer:Association of Architects and Engineers of the Kingdom of Bohemia
Conception:Karel Čupr, Rudolf Fanta, Jan Herain, Richard Jahn, Čeněk Kašpar, Celda Klouček, František Křižík, Vratislav Pasovský, Josef Podhajský, Osvald Polívka, František Prášil, Václav Roštlapil, Ludvík Ruth, Jan Rybář, Jan Sedlák, Fratnišek Schlaffer, Jindřich Schumandl, Edvard Sochor, Bohumil Staněk, Karel Vlček
In 1898, after the successful Jubilee Exhibition (1891) and Ethnographic Exhibition (1895), another major showcase took place at the Prague Exhibition Grounds – the Exhibition of Architecture and Engineering combined with an exhibition of engines and auxiliary machines for small businesses, along with an associated exhibition of inventions for trades and a specialized exhibition of tinsmithing in the lands of the Czech Crown. As the subtitle of the exhibition suggests, its scope was very broad – in addition to architectural models, model interiors, facades, and drawings, it also included various machines, engines, bicycles, electrical appliances, presentations of small and larger businesses, and works by students of secondary technical schools. The wide range of exhibited artifacts and goods resulted from the merger of several exhibitions that were originally planned as separate events. The Association of Architects and Engineers of the Kingdom of Bohemia, which initiated the exhibition of contemporary Czech architecture and engineering, had various practical reasons for adding other segments to the exhibition during its preparation. According to the introductory text in the catalogue, the exhibition was intended to demonstrate the "maturity of contemporary Czech technical intelligence" [Kafka 1898, p. 8] and to present its achievements to the public.
The preparation of such an enormous and diverse exhibition required the division of the artefacts into nine groups, further subdivided into sections, the preparation of which was overseen by separate committees. The executive committee, which supervised the entire event, consisted mostly of members of the association, joined by architect and deputy mayor of Prague Karel Vlček and František Křižík as a representative of the Prague Chamber of Commerce and Industry. The Architecture and Construction group contained the largest number of artefacts, including architectural designs and plans, applied arts, model dwellings, and the works of building craftsmen and tradesmen, and was housed in the left wing of the palace. The central space of this part of the exhibition – a decorative hall with predominantly historicizing facades – was intended to showcase buildings of "Czech character." The right wing housed the Engineering group, which featured road and bridge construction, the work of water, agricultural, and metallurgical engineers, as well as an exhibition dedicated to land surveying. Smaller exhibition groups were located in provisional pavilions: Mechanical Engineering and Electrical Engineering, Specialized Education, Historical Department (presenting monuments from the Romanesque style to the Baroque), a separate Exhibition of Small Motors, Auxiliary Machinery and Tools for Crafts and Small Industry, Railways, Inventions for Trades and Crafts, and Professional Literature.
The exhibition guide also mentions a number of other pavilions, restaurants, cafés, and shops that were an integral part of the entire event. One of these structures – the Artists' Tavern called "U Nesmysla" (The Nonsense Bar) – featured decorations by Vítězslav Mašek, Luděk Marold, Ladislav Šaloun, and others intended as a parodic response to the search for a new style, a hot topic in the art world at the time, and the emerging Vienna Secession. The exhibition also included the Czechoslovak Village complex, built for the ethnographic exhibition in 1895 and consisting of several buildings by Jan Koula, Dušan Jurkovič, Eduard Sochor, and others inspired by folk architecture. František Křižík's Light Fountain, which was installed at the Exhibition Grounds for the 1891 exhibition, underscored the festive character of the whole area.
As in the case of the two previous exhibitions mentioned above, which the executive committee clearly followed, the exhibition took the form of a festival, an event that included not only exhibitions of technical artefacts and presentations of small businesses from Prague and other cities in Bohemia and beyond, but also lectures, concerts, theatrical performances, and screenings of films by Jan Kříženecký in the Urania theater, which was built especially for the exhibition. One of the main "attractions", often mentioned in the press, was the panorama depicting the Battle of Lipany, created for the exhibition by Luděk Marold and other painters. The spectacular battle scene, housed in a separate, round wooden pavilion designed by Jiří Justich, was intended to provide visitors with a powerful visual experience that would counterbalance the static professional exhibits. Although by different means than the machines on display, Marold's panorama also represented the "brotherhood of technology and art" proclaimed in the exhibition catalogue. It was precisely this link between artistic, technical and professional circles that the contemporary press saw as the exhibition's fundamental contribution.
The exhibition opened with a ceremonial procession to the Exhibition Grounds on June 15. It was originally scheduled to last until September 15 but eventually ended a month later. Public interest was enormous – in the first ten days alone, the organizers recorded 37,000 visitors [Anonymous author 1898a], and a month and a half after the opening, it celebrated its quarter-millionth visitor [Anonymous author 1898b]. As with the previous two major national exhibitions, excursions were organized from all over the Czech kingdom. The Exhibition of Architecture and Engineering was primarily intended to showcase the achievements of national, Bohemian crafts and industry, although foreign exhibitors were also invited to participate in some groups. Considering that the exhibition guide, which in the Czech version was a large book of almost 350 pages, was also to be published in German and French, there can be no doubt that the exhibition aimed to reach international audiences and to introduce them to the successes of Czech technology.
The fact that this was an important event not only for Prague, but also for its visitors, is evidenced by the number of extensive reports and smaller mentions that appeared in the press and in a number of specialized periodicals and regional newspapers almost daily throughout the entire duration of the exhibition. The list of small reports about the exhibition could be almost endless. Most of the reviewers tried to present the exhibition as a whole and to describe its individual parts. The concept itself, essentially following that of a trade fair, was not subject to any constructive criticism, although the reviewer for the journal Naše doba did point out the inherent challenges of an architectural exhibition, particularly the impossibility of showing the actual buildings. [Vávra 1898, p. 3]
When discussing the architectural part of the exhibition, reviewers largely focused on the content. A key theme was the conflict between historicism, employed in the model facades, some interiors, and in the concept of the historical part of the exhibition, and the desire to find a new style, which gained a particular urgency in the Czech milieu in the final years of the 19th century. On the one hand, the architects looked to folklore for inspiration, and on the other, they used Art Nouveau ornamentation, as can be seen in the panorama pavilion, interiors, and decorations. The strong emphasis on historical references was balanced not only by this forward-looking search for a new style but also by the presentation of modern industrial machines and the completely innovative cinematograph of Jan Kříženecký. The Exhibition of Architecture and Engineering therefore plays a role in the history of Czech art as an event where historicism and modernism clashed, as the reviewer of Volné směry [Anonymous author 1898c, pp. 523-524] pointed out. It was not a breakthrough event in this "struggle", but rather one of the initiating moments after which Czech architecture slowly embarked on a new, modern path, completely detached from historical models.
Tereza Štěpánová
Anonymous author 1898a: Anonymous author, Výstava architektury a inženýrství v Praze 1898. Palác průmyslový, Národní listy XXXVIII, 1898, no. 173, 25. 6., p. 3
Anonymous author 1898b: Anonymous author, Výstava architektury a inženýrství v Praze 1898, Katolické listy II, 1898, no. 207, 30. 7., p. 5
Anonymous author 1898c: Anonymous author, Výstava architektury a inženýrství, Volné směry II, 1898, pp. 521–526
Kafka 1898: Josef Kafka, Výstava architektury a inženýrství (exh. cat.), Praha 1989
Vávra 1898: Antonín Vávra, Letošní výstava architektury a inženýrství, Naše doba VI, 1898–1899, no. 1, 20. 10., pp. 2–14
Marcela C. Efmertová, České země v letech 1848–1918, Praha 1998, pp. 396–398
B. Kavka, Výstava architektury a inženýrství, Zprávy Spolku architektův a inženýrů v Království českém XXXII, 1898, pp. 27–29; 53–55; 92–94
Marcel Pencák, Nástup architektonické moderny a c. k. Česká vysoká škola technická, Umění LVI, 2008, no. 6, p. 520
Jan Sedlák, Výstava architektury a inženýrství v Praze roku 1898, Hlas národa, 1898, no. 139, 21. 5., p. 1; no. 142, 24. 5., p. 1; no. 143, 25. 5., p. 1
Kateřina Turková, Architektura na výstavě. Nástup moderní architektury na velkých pražských výstavách 1891–1908, thesis KTF UK, Praha 2018, pp. 45–50
Tomáš Vlček, Praha 1900, studie k dějinám kultury a umění Prahy v letech 1890–1914, Praha 1986, pp. 68–70
AHMP, sbírka fotografií, Výstava architektury a inženýrství – reprodukce půdorysného plánu [Collection of Photographs, Exhibition of Architecture and Engineering – reproduction of a ground plan], sign. VI 73/30, permalink: https://katalog.ahmp.cz/pragapublica/permalink?xid=A0C4FECAB67611DF820F00166F1163D4&scan=1#scan1
Bačka, Alois
Bakovský, Adolf
Balcar, Josef
Balšánek, Antonín
Barbieri, Emanuel
Bartel, F.
Bartík, H.
Bartoš, Alois
Bartošek, B. J.
Barvíř, Jindřich
Batovec, František
Batovec, Fratnišek
Baumgartl, Antonín
Bělík, Josef
Beneš, Antonín
Beneš, Čeněk
Beneš, Viktor
Bild, Josef
Bild, Václav
Blecha, Josef
Bohuslav, Josef
Bolom, Alos
Bradáč, Al.
Bráf, Antonín
Bramberger, Čeněk
Brožek, Hynek
Brunner, Antonín
Brůžek, Jindřich
Brzák, Jan
Břehovský, Emanuel
Březina, Hynek
Buchar, Jar.
Buchar, Josef
Buk, František Vratislav
Bureš, Tomáš
Cermann, A.
Ciani, J.
Cibula, Václav
Cingroš, Jan
Cobenzl, Albert
Coufal, Josef
Ctibor, Alois
Czada, Jan
Chaura, Edmund
Chlumský, F.
Chytrý, Václav
Čech, L.
Čecháč, František
Čejka, Josef
Čelikovský, Václav
Čermák, Bohuslav
Černý, Bohumír
Černý, Vilém
Černý, Vojtěch
Červený, Stanislav
Červinka, Jan
Dattel, Bohumil
Dlabač, Alois
Dlask, Antonín
Duda, Alois
Duda, Jindřich
Dvořáček, Pankrác
Dvořák, Ferdinand
Dvořák, František
Dvořák, Jan
Dvořák, Jan Hugo
Dvořák, Ot. Vl.
Eckert, Jindřich
Eckštein, František
Eisert, Edvard
Elhenický, Alois
Faltus, František
Faust, Jan
Fiala, František
Fiala, Karel
Fischer, Bohumil
Fleischinger, B.
Forejt, František
Frańczyk, Emanuel
Fric, Antonín
Frič, Jan Josef
Fridrich, Alois
Friedländer, B.
Friedrich, František
Geässel, Vilém
Gerhold, R.
Glazar, František
Glücksmann, J.
Goldmann, Max
Goldscheider, G.
Goldwein, B.
Gottwald, Hynek
Haas, František
Haase, Antonín
Haberle, Alois
Hainz, Ludvík
Haller, Adolf
Hanek, Karel
Hanová, Karolina
Hansl, František
Havlíček, Antonín
Havlín, Bartoloměj
Havránek, František
Heim, H.
Hejduk, Josef
Heller, Jan
Henzl, Emanuel
Herink, Karel
Hilbert, Kamil
Hille-Pošepná, Klotilda
Hladík, Julius
Hladík, Václav
Hlava, Václav
Hlaváč, Fr.
Hlaváček, Josef
Hlávka, Josef
Hlubuček, František
Hoffmann, Antonín
Hochmann, Václav
Holas, Bohumil
Holeček, Jan
Holík, Jan
Holla, Tomáš
Holub, Bohumil
Holub, Josef
Holub, Karel
Homola, Josef
Hoppe, Josef
Horák, Josef
Horák, Karel
Horský, B.
Hosko, Václav
Houdek, František
Housa, Josef
Hrubý, Miloslav
Hruška, František
Hueber, Karel
Hula, Alois
Hutterer, Rudolf
Hybš, Josef
Jagenberg, Ferdinand E.
Jäger, Jiljí
Jaklín, Rudolf
Janák, Alois
Janda, František
Janowitz, Ferdinand
Jaroměřský, Emanuel
Javůrek, M.
Jehlička, Ferdinand
Jeřábek, Karel
Jindřich, Antonín
Jirchovský, František
Jíša, Václav
Juna, Antonín
Juppa, František
Just, Karel
Kadeřábek, Josef
Kadraba, Edvard
Kalousek, Josef
Kaltenbrunner, Karel
Kamelský, František
Kasl, František
Kassiková, Fany
Kastner, Jan
Kašpar, Vincenc
Kaván, František
Kaván, Jan
Kellner, Heřman
Kieslich, Josef
Kinšner, Edmund
Klicpera, Václav
Kliment, J.
Klinger, Václav
Kloubek, Václav
Knauer, K. J.
Knüpfer, Jan
Kober, J. L.
Kofránek, Karel
Kohout, Jan
Koch, Edmund
Kokeš, Josef
Koldovský, J.
Komárek, František
Koníček, Antonín Vácslav
Kořistka, Karel
Kosina, Josef
Kotlář, František
Kotrč, Jan
Koula, František
Koutník, Ludvík
Kovářík, Ferdinand
Kovářík, Fratnišek
Kovářík, Václav
Krah, Armin
Král, Josef
Krásný, Fratnišek
Kratochvil, Karel
Krečmar, Václav
Krejčík, Josef
Kresl, Jiří
Kresl, Karel
Krch, Václav
Kropáček, Josef
Krotký, Václav
Kroupa, Antonín
Krumlovský, Bohumil
Kryšpín, Jan
Křička, Čeněk
Křikava, Václav
Kříženecký, Rudolf
Křižík, František
Křtěn, Josef
Kubát, Václav
Kubelka, Antonín
Kubeš, Jan
Kubr, František
Kudlicz, J.
Kunz, Antonín
Kurka, Leopold
Kutzer, Vojtěch
Lanč, Emanuel
Lantner, Bohuslav
Laurent, Antonín
Lendecke, Hugo
Lenk, František
Lhoták, Antonín
Liderhaus, Kamil
Lindauer, B.
Linell, C.
Linger, Karel
Linhart, Jan
Líska, Václav
Líva, Alois
Löffler, Eduard
Los, Antonín
Löschner, Karel
Loukota, Tomáš
Mach, Josef
Macháček, F.
Machovský, Čeněk
Makovec, Antonín
Malý, Václav
Mannsfeld, Ch.
Marek, Jan
Mascha, C.
Masner, Prokop
Mathauser, František
Mayer, František
Mayer, Otto
Meilbeck, Václav
Meilbeck, Vavřinec
Melč, Václav
Melichárek, František
Mendík, Jan
Menzel, K.
Metelka, Eduard
Meyer, Gustav
Michl, Vilém
Mikeš, František
Mimra, Hypolit
Mlch, Václav
Mocker, Josef
Modern, J.
Moravec, Josef
Morávek, Jan
Mrvík, Bohdan
Müller, B.
Müller, František
Müller, Václav
Munk, Bedřich
Musil, Václav
Mužík, Albín
Nádvorník, J. M.
Náměstek, František
Neff, J.
Nechyba, Václav
Nejedlý, Václav
Nekvasil, V.
Němec, František
Němeček, Josef
Němeček, K.
Neumann, Josef
Novák, Antonín
Novák, Karel
Novák, Václav
Novotný, František
Pacold, Jiří
Paleček, Matyáš
Palla, Jar.
Pammer, Leopold
Papež, Gustav
Pařík, Karel
Paul, Václav
Pazdera, J.
Pejšek, Josef
Pelikán, Antonín
Pelikán, Karel
Pešek, Karel
Petrof, Antonín
Petrovický, Jindřich
Pexider, J.
Peyerl, Ludvík
Pfeffer, Petr
Pfeiffer, Josef
Pichl, J. B.
Pilát, František
Pižl, J.
Pleskot, Adolf R.
Plesnivý, František
Plocek, Antonín
Podhajský, Josef
Podzimek, Josef
Poláček, Bohumil
Polívka, Osvald
Polke, J.
Pollnerová, Ant.
Pollnerová, Antonie
Popper, Richard
Port, Josef
Porteš, Josef
Potůček, Josef
Pracner, Jan
Pražák, Karel E.
Procházka, Antonín
Procházka, Josef
Prokopec, Jan
Prskavec, František
Průša, Jan
Přibík, Čeněk
Pták, Karel
Rambousek, František
Rašek, Karel
Ratzenbeck, Jan
Raubitschek, Jac.
Regner, Antonín
Rechzeigel, Eduard
Rechziegel, Edvard
Reichl, Jaroslav
Reissenzahn, A.
Rejchl, František
Richter, Václav
Ringhoffer, František
Rohlíček, Václav
Roštlapil, Václav
Roth, Adolf
Rott, V.
Rubeš, Jar.
Rudolf, H. K.
Rus, František
Růžička, Josef
Rybář, Jan
Rychlík, Jan
Sádlo, Antonín
Sakař, Karel
Salač, Jindřich
Salcmann, Eduard
Samec, Josef
Samonil, Ferdinand
Seidek, Hynek
Seifarth, Edvard
Sekeles, Richard
Seykora, Jaroslav
Schleyder, Karel
Schöffler, Antonín
Schönmann, J.
Siedek, Hynek
Skalická, Růžena
Skalický, Bohuš
Skřivan, Otakar
Skřivan, Otokar
Skuhravý, Julius
Slavík, Antonín
Slavík, František
Smutný, Ruda
Soběslavský, Cyril
Sochor, Edvard
Sommerschuh, Emil
Souček, Viktor
Spott, J.
Spurný, Ed.
Stancl, Josef
Starck, Eman.
Staude, Antonín
Steklý, Antonín
Stibral, Jiří
Stobenov, Rudolf
Stöhr, Miroslav
Stoupa, Jan
Strachota, J.
Straka, Václav
Strejcová, Marie
Suchánek, Josef J.
Suchý, J.
Sulan, Čeněk
Surovský, František
Svoboda, Petr
Sychra, Anonín
Sychra, Jan
Synek, Karel
Šedivý, Otokar
Šíma, Josef
Šimáček, Jan
Šimek, Václav
Šípek, Josef
Škarda, B.
Škorpil, Rudolf
Špírek, Vincenc
Šponar, A.
Šrámek, Josef
Štěpánek, Fratnišek
Štěrba, Bohumil
Šulc, František
Švec, Václav
Švestka, Josef
Švestka, Richard
Švestková, Marie
Teige, Prokop
Tekl, Josef
Thiele, J.
Thomayer, František
Tomášek, Josef
Topič, T.
Toužimský, E.
Toužimský, J.
Trikar, František
Tringler, Antonín
Trunecová, Josefa
Tschumpel, Antonín
Ttringler, Antonín
Tuček, Ant.
Tuček, Antonín
Tyl, Josef
Urbánek, Ferdinand
Urbánek, Josef
Valkoun, Josef
Vaněček, Josef
Vejtruba, Josef
Veselý, Antonín V.
Veselý, Ferdinand
Veselý, Václav
Vetišek, Jan
Videman, František
Vildner, Celestin
Vilím, Jan
Vilímek, J. R.
Vindyš, J.
Víšek, Josef
Višňák, J.
Vlasák, Josef
Vojáček, Jan
Vojta, Josef
Vokřál, Václav
Volman, František
Volter, Alois
Vomáčka, Rudolf
Vondřejc, Vil
Vondřejc, Vilém
Vondřich, František
Vopálka, Heřman
Voráček, Jan
Vošoust, Jindřich
Votruba, Josef
Wang, Josef
Wanka, Rudolf
Warvažovský, Antonín
Warvažovský, Václav
Weinert, Jan
Weinzettl, Václav
Weiss, Leopold
Wejrostek, Matěj
Weyrostek, Matěj
Weyrostek, Václav
Wiesner, František
Wiesner, K.
Wihan, Julius
Wichterle, F.
Wittmann, Josef
Wittner, Václav
Wohlgemuth, Tomáš
Wolf, Karel
Wollmann, Josef
Zahradník, Václav
Zajíček, Fratnišek
Zelenka, František
Výstava architektury a inženýrství [Exhibition of Architecture and Engineering]
Place and year of publication: Prague 1898
a, Výstava architektury a inženýrství v Praze –Umění na výstavě architektů a inženýrů, Národní listy XXXVIII, 1898, no. 153, 5. 6., p. 2
pdfAnonymous author, Výstava architektury a inženýrství v Praze 1898. Palác průmyslový, Národní listy XXXVIII, 1898, no. 173, 25. 6., pp. 2–3
pdfAnonymous author, Výstava architektury a inženýrství v Praze. Stavitelství, Národní listy XXXVIII, 1898, no. 192, 14. 7., p. 2; no. 200, 22. 7., p. 2; no. 206, 28. 7., pp. 2–3; no. 208, 30. 7., p. 2.; no. 209, 31. 7., p. 2; no. 218, 9. 8., p. 3
pdfAnonymous author, Výstava architektury a inženýrství v Praze. Ze stavebních živností, Národní listy XXXVIII, 1898, no. 282, 13. 10., p. 3
pdfAnonymous author, Výstava architektury a inženýrství, Volné směry II, 1898, pp. 521–526
pdfŽ, [B. Brož], Výstava architektury a inženýrství, Světozor, 1898, no. 31, 17. 6., pp. 368–370; no. 33, 1. 7., p. 385, no. 34, 1. 7., s. 402–404; no. 36, 15. 7., pp. 426–427; no. 37, 29. 7., pp. 440–441; no. 39, 12. 8., pp. 463–464; no. 40, 12. 8., pp. 475–476; no. 42, 26. 8., pp. 497–500; no. 44, 9. 9., pp. 523–524; no. 45, 23. 9., pp. 535–536; no. 46, 23. 9., pp. 546–548; no. 47, 7. 10., p. 557; no. 48, 7. 10., pp. 568–569; no. 49, 21. 10., p. 581, 584
pdfLud. Čížek, Výstava architektury a inženýrství, Osvěta XXVIII, 1898, no. 8, pp. 754–759
pdfLud. Čížek – Richard Šantrůček, Výstava architektury a inženýrství, Osvěta XXVIII, 1898, no. 10, pp. 927–949; no. 11, pp. 1025–1035
pdfK. Čupr, Potulky Výstavou, Zlatá Praha XV, 1897–1898, no. 34, p. 403; no. 36, p. 426; no. 38, pp. 450–451; no. 40, p. 471; no. 42, p. 495, no. 44, p. 525; no. 46, p. 550; no. 49, p. 586
pdfer, Výstava architektury a inženýrství v Praze 1898, Katolické listy II, 1898, no. 225, 18. 8., p. 5; no. 227, 20. 8., pp. 4–5
pdfJ. K., Volné kapitoly z výstavy architektů a inženýrů, Národní listy XXXVIII, 1898, no. 195, 17. 7., p. 3; no. 202, 24. 7., pp. 3–4, no. 224, 16. 8., pp. 4–5; no. 270, 1. 10., p. 4
pdfKarel Kepka – Jan Koula, Výstava architektury a inženýrství, Osvěta XXVIII, 1898, no. 9, pp. 835–850
pdfJ. Němeček, B. Kavka ad., Výstava architektury a inženýrství, Technický obzor VI, 1898, no. 18, 30. 6., pp. 168–169, no. 20, 20. 7., pp. 182–185; no. 21, 31. 7., p. 190–193; no. 22, 10. 8., pp. 199–201, no. 23, 20. 8., pp. 208–209; no. 24, 31. 8., pp. 216–217; no. 25, 10. 9., pp. 223–224; no. 26, 20. 9., pp. 232–233; no. 27, 30. 9., pp. 239–242; no. 28, 10. 10., pp. 247–249; no. 29, 20. 10., pp. 258–259
pdfRedakce, Výstava architektury a inženýrství v Praze! Česká škola, 1898, no. 26–27, 1. 9., pp. 405–408
pdfAntonín Vávra, Letošní výstava architektury a inženýrství, Naše doba VI, 1898–1899, no. 1, 20. 10., pp. 2–14; no. 2, 20. 11., pp. 107–119; no. 3, 20. 12., pp. 184–197; no. 4, 20. 1., pp. 268–273
pdfV. Výstava architektury a inženýrství v Praze 1898. V dílnách výstavních, Národní listy XXXVIII, 1898, no. 195, 17. 7., p. 2
pdf"Lower part of the exhibition"
view of the ‘U Nesmysla’ Tavern and folk architecture in the background
Zlatá Praha XV, 1897-1898
Main Hall of the Industrial Palace
Zlatá Praha XV, 1897-1898
Opening Ceremony on June 15
Photo: Jan Vilím, Světozor XXXII, 1898
Artists’ Tavern ‘U Nesmysla’
Photo: Jan Vilím, Světozor XXXII, 1898
Justich's pavilion for Marold's panorama - sketch
Technicky obzor VI, 1898
The theatre at the Exhibition of Architecture and Engineering
Zlatá Praha XV, 1897-1898
From the Battle of Lipany panorama
Zlatá Praha XV, 1897-1898
‘Model Façade Section’ in the courtyard
on the far left: decorative facade by Celda Klouček, in the middle: Neo-Renaissance facade by architect Alois Dlabec
Photo: Jan Vilím, Světozor XXXII, 1898
Fabrication of coins and medals in the historical section of the exhibition
Photo: Jan Vilím, Světozor XXXII, 1898
Dining room in national style by Jan Koula
Photo: Jan Vilím, Světozor XXXII, 1898
View of one of the interiors
presentation of the carpenter Václav Mlch, who showed Neo-Renaissance furniture designed by Jan Koula
Technický obzor VI, 1898
Herm with a tree forming part of the rear exedra of the central courtyard
Photo: Jan Vilím, Volné směry II, 1897–1898
Anonymous author, Slavnostní zahájení výstavy architektury a inženýrství, Národní listy XXXVIII, 1898, no. 163, 15. 6., pp. 2–4
Anonymous author, Z výstavy české technické, Obnova IV, 1898, no. 27, 8. 7., p. 4
Anonymous author, Panorama na výstavě architektů a inženýrů v Praze, Fotografický obzor VI, 1898, no. 3, 10. 3., pp. 40–41
Anonymous author, Výstava architektury a inženýrství v Praze 1898, Národní listy XXXVIII, 1898, no. 113, 24. 4., p. 2
Anonymous author, Výstava architektury a inženýrství v Praze 1898. Neděle na výstavě, Národní listy XXXVIII, 1898, no. 175, 27. 6., p. 2
Anonymous author, Výstava architektury a inženýrství v Praze 1898, Katolické listy II, 1898, no. 154, 7. 6., p. 5; no. 156, 9. 6., p. 7; no. 159, 12. 6., pp. 4–5; no. 165, 18. 6., p. 5; no. 170, 23. 6., p. 5; no. 174, 27. 6., pp. 2–3; no. 177, 30. 6, p. 3; č, 181, 4. 7., p. 3; no. 182; 5. 7., p. 5; no. 187, 10. 7., pp. 4–5; no. 189, 12. 7., p. 5; no. 194, 17. 7., p. 5; no. 207, 30. 7., p. 5; no. 208, 31. 7., pp. 4–5; no. 222, 14.8., p. 8; no. 235, 28. 8., p. 6; no. 244, 6. 9., p. 5; no. 257, 19. 9., p. 3; no. 280, 12. 10., p. 5; no. 281, 13. 10., p. 5; no. 284, 16. 10., p. 5, no. 286, 18. 10., pp. 4–5
Anonymous author, Výstava architektury a inženýrství v Praze, Česká škola, 1898, no. 19, 20. 6., p. 298; no. 21, 10. 7., p. 332
Anonymous author, Výstava architektury a inženýrství v Praze 1898., Národní listy XXXVIII, 1898, no. 259, 20. 9., p. 2
Anonymous author, Výstava architektury a inženýrství v Praze. Generální výbor výstavy architektury a inženýrství, Národní listy XXXVIII, 1898, no. 138, 20. 5., p. 2
Anonymous author, Výstava architektury a inženýrství v Praze. Zakončení výstavy, Národní listy XXXVIII, 1898, no. 287, 18. 10., p. 2
Anonymous author, Výstava architektury a inženýrství, Epocha III, 1898, no. 10, 15. 17., pp. 214–219; no. 11, 15. 8., pp. 235–237; no. 12, 15. 9., pp. 249–250; Epocha IV, 1898, no. 1, 15. 10., p. 12
Anonymous author, Výstava architektury a inženýrství v Praze roku 1898. Hlas národa, 1898, no. 139, 21. 5., p. 1; no. 142, 24. 5., p. 1; no. 143, 25. 5., p. 1
Anonymous author, Výstava architektury a inženýrství v Praze, Právo lidu VII, 1898, no. 175, 26. 6., p. 3; no. 187, 8. 7., p. 3; no. 200, 21. 7., p. 3; š. 227, 18. 8., p. 7; no. 246, 6. 9., p. 2, 7; no. 247, 7. 9., p. 7; no. 249, 9. 9., p. 7; no. 255, 15. 9., p. 7; no. 266, 26. 9., p. 3; no. 267, 27. 9., p. 3; no. 273, 3. 10., p. 4; no. 282, 12. 10., p. 6. etc.
B. K., Výstava architektury a inženýrství, Technický obzor VI, 1898, no. 3, 31. 1., p. 28; no. 7, 10. 3., p. 59
Ka., Výstava architektury a inženýrství, Technický obzor VI, 1898, no. 14, 20. 5., pp. 132–133; no. 15, 31. 5, pp. 141–143